FISH CARVING
 

WHEN we left off last issue, the body was cut out using a top-view pattern. I explained how to establish all the centerline points on this cutout using a metal side-view pattern for reference that was bent into the same curve as the centerline of the top-view pattern.

In this article, we'll pick up here where we left off and complete the carving to the point where it is ready to be sealed.

I will also demonstrate my method to insert and carve the fins. This way of inserting the fins will give you a super-tight fit with little or no filler needed to cover the transition between the fins and the body. The big advantage to this method is that the body and fins can be textured and painted separately without the associated over-spray problems. In this way, you can achieve more accurate unions and the fins can easily be draped over the body in a natural way, if desired. After the fins and the body are completely painted, they are glued together, and the remaining hairline cracks are filled and painted over. This method can really give a competition judge reason to pause and scratch his head, wondering how you pulled it off.

Normally, if a fish is carved with the fins touching the body, there are usually areas on the fins or body that are left unpainted and/or un-textured because...

...Continued in the Spring 2003 Issue of Breakthrough.

If you want to subscribe or receive back issues, please select one of the following options: